Lebanon, and Tunisia, and is active in the struggle for Palestinian freedom. He has edited the Palestine Liberation Organization’s literary magazine and is a leader in promoting literature in the West Bank. His political involvement has made international travel difficult and a trip to Canada occurred only after prominent writers spoke out for him after his visa to visit was initially denied.
Source: “Stay” by Kathleen McGookey
She is continually struck by the grief and horror an individual can experience that does
not impact the world. How life seems to go on all around you as your own life falls apart. In “Like Stars” she describes an awe-inspiring evening setting full of the life of insects and birds, and ends with the line: “Right now my friend is having a baby boy who is expected to die.” In “Sometimes the Ache Sleeps” we see her facing her parent’s declining health, “But each day the purple morning glories bloomed after the sun rose, and each day promised to be just like the one before.” At times, the poet seems to be torn between the thankfulness for ongoing life and being stunned that all the world does not understand your grief. But grief, while universally experienced, is a private affair.
This unique volume of poetry tears down the stereotype of the solitary poet locked in a room, as the entire volume is the collaboration of four poets. It is not an anthology of their individual work, but a collection of collaborative poetry created across continents. Two of the writers, Reka Jellema and Jennifer Savage, live in different areas of the United States. Brendan Bonsack and Kathryn Ross are both from Australia. Together, they break the collection into three areas, “Resonance,” “Weaving,” and “Remberance.” And although it does not impact the contents, it is worth noting that the book cover photo and design are outstanding (and the work of two of the writers).
If you are skeptical about the concept, you will not be after reading the collection. This collaborative collection creates a strong, deep voice where the writers clearly listened to one another’s writing and enhanced their individual voices. To use their own titles, the ideas of resonance and weaving are what make these poems work, whie the poems of rememberance remind us of the connection with others of our mortality.
They seem to touch on their connection with one another in their opening poem, “We Met Before.”
“I have met you before
I can tell by the flurry of words
Spoken, not spoken
Assembled like confetti
Blown from my lips, flecked in my hair
A swarm of tiny letters
The sayable puzzles, and the unsayable
Were we meant to fit together,
And this blinking, squinting, mutter-mutter know?
When I met you before
Our time was runing low”
Throughout the collection, we see a range of themes and find both serious and winsome words. In the midst of a poem entitled “Canine,” we get an accurate look at dogs, but with a seriousness which can only make us smile:
our spots, divined
From miles off
With each nudge of snout
Scents by the millions
Pungent edge of lawns, uprooted
Trees, and variegated clumps
Our nostrils quivered
And our tails shot up
Whether exploring marriage (“A Love’s Little Scratching”), objects (“Ceiling”), or grief (“Ways to Say Goodbye”), the writers combine to create a unique voice, a new way of looking at life. A poem like “Wednesdays” could be written by one person, but the different voices in creating these snapshots add a depth to the voice. We see this again in “Men of Bicycle” as different views take us past the visual into a realm of wondering.
This collection offers us a new way to approach writing. While many have talked about collaborative writing in our digital age, this volume shows it not only working but presenting a new voice. It is exciting to think how the addition of a new person, or the replacement of one writer, could affect how these writers work together. Perhaps the four voices behind it make you feel like there is a conversation happening and you are invited to join in. Pull up a chair. You will be better for it.
I’ve read this fifth volume of Rankine’s poetry three times, and each time I learn more about what I do not know. Rankine exposes the everyday incidents of personal racism, the public racism of how Serena Williams is treated throughout her career, and the violent racism revealed in the deaths of unarmed black men. But the adjectives of “personal,” “public,” and “violent,” are mere artifacts. What Rankine is showing is that all racism is personal, public, and violent. As she, and the rest of the world, watch Williams be the object of blatantly erroneous calls, it is personal for her. And it is violent in how it attacks her very humanity. The deaths of unarmed black men, the “unintentional” racist comments of her white, liberal, and educated friends, and the public shaming of someone responding honestly to being harassed live beyond the moment.
The book itself is a scrapbook of poetry, creative prose, quotes, verbal collages, and visual art. She almost seems to be scrambling, desperately, for a way to get her message across. At times, she hits it over and over, as she experiences it over and over.
“Haven’t you said this to a close friend who early in your friendship, when distracted,
would call you by the name of her black housekeeper? You assumed you two were the only black people in her life. Eventually she stopped doing this, though she never acknowledged her slippage. And you never called her on it (why not?) and yet, you don’t forget.” These are the daily reminders of the racism inherent in our society but only experienced by those who are not white.
Ranking divides her book into several sections, including ones focusing on her daily encounters with racism, one on the treatment of Williams, and one focusing on headline events such as the killings of Trayvon Martin and James Craig Anderson. In addressing so many forms of racism, Rankine requires a response (and, of course, not to respond is to respond). If you want to feel good about the U.S. (and the world) and race, don’t read this book. If, like me, racism is not something personally experience, this book will give you some insight to the pervasiveness and horrendous impact of racism.