Makoto Fujimura’s “Refractions: A Journey of Faith, Art, and Culture”

Refractions_coverE-380x570Makoto Fujimura is one of those rare animals — a Christian and an artist thriving in the secular world while holding firm to his faith. Born in Boston and trained in the United States, he received his MFA from Tokyo National University as a scholar in Nihonga, a Japanese-style of painting. His excellent work there earned him a chance to be the first non-Japanese citizen to take part in their lineage program. While studying, he became a committed Christian, which changed his direction in life and art.makoto fujimura

This book is a collection of essays, mainly culled from his “Saturday morning essays.” As with any collection of essays, some will strike the reader more than others. In addition, many are stronger within their cultural context, while others escape such limitations. Nevertheless, all of them raise questions and offer insight which will challenge the reader to re-see the world.

One of Fujimura’s greatest strengths is seen in an essay such as “Dances for Life,” in which he makes an impassioned argument for the importance of dance. Although a visual artist, Fujimura clearly loves art of all genres. “There is something primal about dance that transcends all of the conventional concerns. Dancers embody the very ideal of the arts and fuse the spirit with the body. In other words, dance incarnates, and dancers bring this fusion into their bodies.” Many Christians are uncomfortable with dance companies and dance as an art form (and I say this as someone who has booked many dance companies in our Christian community), and Fujimura challenges them. “Christians should be the first in line to see and applaud this fusion of body and soul. Christ is not an ideology, a sentiment, or a mental image, but a fusion of body and Spirit.”

From his "Grace" series

From his “Grace” series

A natural educator, Fujimura also sees art teaching us how to live daily. In “Surfacing Dolphins,” he talks about visiting art students at a college, and their reluctance to share their art. When he asks for works they are not proud of, they bring out plenty of examples. “We live in a culture of perfection, or at least in the superficial resemblance of things perfect….Failures teach us more than successes.” As he does in all these essays, Fujimura relates his experiences to his faith, and with failure ties in the idea of repentance. “I have learned from Scripture to pay attention to works in my life of which I am not proud. They speak to teach me. I have learned that what the ancients called ‘repentence’ is a journey of coming home to a place where all our wretched works rest, but also where that our wretchedness is overcome by light.”

four quartets a

From his “Four Quartets” series

Perhaps Fujimura’s commitment to art is summarized best in a speech he gave in 2005, published here as “Why Art?” “By continuing to create and imagine a better world, we live. We have no alternative today. The path of apathy, the path of cynicism, and the path of terrorists have incarnated their realities in our backyards. To have hope is no longer an optimist’s escapism–it is the only path to the future.”

A reader will find a range of topics, including many essays on the visual arts, in these 23 essays. After reading these (or before) visit his excellent website at http://www.makotofujimura.com/  and watch his 6 minute video on his latest work (which also gives you some background on him).

As is clear, this is a book I highly recommend. It is refreshing to see Christian faith and art seen as supporting one another. Side note: Having just finished Chaim Potok’s My Name is Asher Lev, I’m curious if Fujimura has read the book (and if so, his thoughts on it). The struggle to balance faith and art are essential to that novel.

 

 

 

12 Years A Slave

12 years a slaveFull disclaimer: I’ve not seen the movie.

Okay, usually the disclaimer goes with a film review of a book turned into a movie, but this movie was so successful I thought I should mention it.

Being a book person, I thought I would read the book. I was quite moved by Harriet Jacob’s “Incidents in the Life of A Slave Girl” many years ago, and have returned to Fredrick Douglass’ “Narrative of the Life of Frederick Douglass, an American Slave,” more than once. Histories of slave life can be informing, but hearing about the experience from a slave gives us a new perspective.

Like many books in this vein, Solomon Northup’s “12 Years A Slave” sounds almost dispassionate in its description. It is likely a matter of style and time that Northup can describe his experience almost objectively. His impassioned pleas sound formal, but this was not a time for emotional storytelling. However, one cannot read this book without hearing Northup’s struggle to survive this living hell. What is most insightful by Northup is that he realizes his unique position in the slave world (a free man taken into slavery) and he is sensitive to the plight of others. When you can look with compassion on others in the midst of your own suffering, you are a rare individual.

Northup’s patience with waiting for the right time to reveal his free status is amazing. He questions himself a bit in the book, but even his one failed attempt shows how little trust he could put in others. It also gives you a glimpse into how trapped slaves were, especially those like Northup who was not even near a city.

As a music lover, I was thrilled to see the advantages his musical skills brought him. The chance to travel off the plantation, to earn some money, and even find solace, all speak to the power of music. Even in the midst of the slave system, both masters and servants seek good musSolomon_Northup_engraving_c1853ic.

What is disconcerting to modern ears can be his praise of nice slave owners, or those who treat them in a Christian fashion (slavery aside). Again, Northup views these people as victims of the system, which in a way they are. Of course, we hold them more responsible for their actions today. But it is interesting, and difficult, to hear a former slave speak well of slave owners.

But in those words you find the honesty which makes this a good book. I had hoped to have my 14-year-old read it, but it will be a tough read. Northup at times gets into details which are historically interesting (how he caught fish), but make for slow reading. But those with patience will be rewarded.

Having read the book, I do want to see the movie. Adding more of a “story” to Northup’s writing could make for a moving story on film.

If you want to read more about Northup, the Wikipedia page has a good summary.