Jane Kenyon is the rare poet who shared her Christian faith and was still recognized as a critically important poet. Perhaps it is because her faith avoids any syrupy raptures, instead, providing a different glimpse into everyday life. Still, even an excellent site like the Poetry Foundation can ignore her faith when writing about her life.The literary world is not comfortable with faith, even with “one of their own.”
Anyone reading the collection “Let Evening Come,” will see Kenyon’s faith clearly. It is present in her everyday mentions of her work at church or in one of her daily walks with her dog. In “At the Winter Solstice,” we get a glimpse of a Christmas Eve pageant in a small church:
wondered why she had been chosen.”
But it is a faith of honesty. While she often finds comfort, she also struggles — as do most people. Kenyon suffered from depression, wrestling with it for most of her short life (she died from leukemia at age 47 in 1995). Struggling to reconcile it with her beliefs, she is left short of answers. In “Now Where?” she opens with verses that can reflect depression or grief:
turn back, beating me to the door.
‘Where is your God now?'”
Most of her poetry celebrates the rural and rustic found around her New Hampshire farm, although she was born and raised in Ann Arbor, Michigan, not leaving until she married the poet Donald Hall after finishing her Masters degree at the University of Michigan. Kenyon sees much in the simple actions of the day. In her poem, “Father and Son,” she writes how the neighbor keeps cutting wood with his chainsaw as his son helps. He does it on Sunday afternoons and she comes to “mind the noise.” But the neighbor is:
as it happened, of their life together.”
So, she takes from this everyday scene which can even be annoying and gives us pause to think about these moments when either the father or son (she hints it is the father) dies before the next season. The importance of the present moment is never lost on Kenyon. She often sees in others the stories they carry with them, revealed in tiny glimpses. She does the same with seasons as they come and go. She tends to embrace each season. In, “Dark Morning: Snow”:
down the tree.
There nothing I want…”
Kenyon appeals to me and others because she reveals how many of us feel. As a Christian, I can relate to her moments of comfort and her moments of despair. She does not need to go far to find her inspiration — it is the farm she lives on, the people surrounding her, her faith, her dog, and her friends. We benefit from how her eyes often see more than we do. The present does not slip by her. Instead, she lives in the moment with an eye on eternity.
Let Evening Come
up the bales as the sun moves down.
and her yarn. Let evening come.
and moon disclose her silver horn.
go black inside. Let evening come.
let evening come.