While I’ve read My Name is Asher Lev several times (since I teach it in a course), I’ve held off The Gift of Asher Lev as there are not many sequels I find reaching the level of a strong, original work. This continuation of Asher Lev’s story by Chaim Potok is not as strong as the original novel, but Potok has still created an ongoing story that offers new insights into the central character.
The book picks up 20 years after Asher Lev, at the end of My Name is Asher Lev, is sent away from the Ladover community in New York by the Rebbe. He is not banished from the community but is told he needs to pursue his controversial art in Paris. [Note: For a fuller explanation of the first novel, please refer to my original blog entry.]
We find Asher to be an incredibly successful artist just coming off a poorly-reviewed exhibit in Paris. He takes the criticism, that he is not doing anything new, to heart. As a result, he is not able to paint. We are introduced to his wife, Devorah, who survived in Paris as a child for two years during WWII by hiding in an apartment with her aunt, uncle, and cousin. Her parents were killed in the Holocaust, and the challenge of the survivors and the full horror of the Holocaust are a part of this book. Asher returns with his wife, son, and daughter to New York for the funeral of his beloved Uncle Yitzchok. We learn that Yitzchok became an art collector, a very successful art collector, and he leaves the collection in the care of Asher, much to the dismay of his cousins. This is a subplot in the novel.
The focus is on Asher’s return to the community where he is treated with distrust and at times outright hatred. But, as usual, the Rebbe supports him and manages to make him stay beyond the two weeks originally planned. Asher’s stoic father is now the main aide to the Rebbe and a greatly revered man in the community. But the Rebbe is old and may not have long to live, which raises the question of who will take his place.
I will not give away the answer, but Asher plays a surprising role in the Rebbe’s plan for a successor (and no, it is not him — that would be too much). His wife, Devorah, is a fascinating character. She connects with Asher’s mother and father, settles into the community, dotes on her children, writes children’s book and has an insight into her husband that no one else can grasp. But, she is haunted by the two years of hiding, the loss of her parents in the concentration camps, and her concern for Asher and his struggles.
The book itself is much more introspective than the first one, which is not surprising since the main character is now in his 40s and at a crossroads in life. We see the ongoing struggle for Asher to reconcile his faith with his art, although he lacks the confidence we see in the first book. Asher always knew he was headed in the right direction, even though he could not understand it. Here, he seems paralyzed by his past work and not sure how to move forward. He focuses on drawing to bring back his gift.
Potok loses focus at times and runs parallel plots without connecting them. The conflict over the art collection and Asher’s own struggles touch one another but never intersect. Plus, when Asher realizes the Rebbe’s succession plans, he spends too long thinking through what we already know he will do. It is in these wanderings and the lack of direction by Asher that the sequel fails to match the first novel. Still, if you like the first book, the sequel does add to the storyline and is worth reading. Potok can tell a good story.